Film Narrative Theorists

Narrative theorists


Lev Kuleshov in the 1920’s advised that when we watch a film or programme we try to create meaning and connect events to see a line of cause and effect. Even if there is no connection between people or events we try to make one to make sense of what we are watching. If films are not shown chronologically we try to order the events in our minds and quickly link flashbacks to the present.



Todorov proposed a basic structure for all narratives. He stated that films and programmes begin with an equilibrium, a calm period. Then agents of disruption cause disequilibrium, a period of unsettlement and disquiet. This is then followed by a renewed state of peace and harmony for the protagonists and a new equilibrium brings the chaos to an end.



Vladimir Propp’s theory was formed in the early twentieth Century. He studies Russian fairytales and discovered that in stories there were always 8 types of characters evident. These are: the hero, the villain, the donor, the dispatcher, the false hero, the helper, the princess and her father. He did not state these characters were all separate people e.g. the provider could also be the helper. However, this is easily relatable to films and programmes today.



He stated that there need to be a binary opposition within a film or programme. This is usually presented through good vs. evil.

One Response to Film Narrative Theorists

  1. owais says:

    this is sick blud

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s